![]() ![]() ![]() The Magic Spike is the tournament player, the player that plays in order to prove something. Because he’s got himself feeling alright. If Tommie is feeling “Piano Man” tonight, you’d better hope you’re in the mood for a melody. Tommie also isn’t that concerned about whether a song is played out on karaoke. What separates Tommie from Spike is Tommie isn’t worried so much about the audience getting bored-Tommie is more concerned about his or her own boredom. A more experienced Tommie will probably not pick that song with the endlessly repetitive chorus. That isn’t to say that Tommie is blind to the fact that not every great song on the radio is a great song on the karaoke mic. The beginner Tommie is most likely just to pick a favorite song. They want to lose themselves in the music, the moment, to own it and never let it go (Go!). Tommies aren’t all that concerned about the audience. Tommie is Timmy’s non-gender-specific karaokist sibling. Timmy cares about, to paraphrase a different card game, Being an Effing Wizard. Competitive Magic can often be a game of tricky mathematics and meticulous accumulation of mechanical advantage. Usually in Magic this takes the form of big powerful effects that come with big, powerful feelings: dragons, armies of zombies, or massive explosions, to name a few. Timmy, in Rosewater’s formulation, is a player who plays Magic to experience something. We each have an inner karaoke wizard-and the three Magic psychographic profiles map to the three types of karaokists. My analysis draws on some later development of the concept described in the aptly-named “Timmy, Johnny, and Spike Revisited.” The psychographics were first named in his article as Timmy, Johnny, and Spike. In a famous article, he introduced a set of psychographic profiles for Magic players that have been widely embraced ever since as a tool of self-identification by the Magic community. Mark Rosewater, current head designer for Magic, writes a regular column called Making Magic for the Magic website about design theory and practice. ![]() One of the things that accounts for Magic’s enduring success is that it is, in a sense, many different games that appeal to many kinds of players. Players summon dragons and shoot lightning bolts, or try to stop the opponent from doing the same. In the world of the game, the cards represent spells cast by wizards. ![]() Players collect cards sold in randomized packs, combine them into decks and play the game in groups or one-on-one. Magic: the Gathering, for those who aren’t familiar, is a two decade old trading card game. Speaking of Fun, Let’s Talk About Wizards Overthinking It itself is arguably organized around the psychographic of people who enjoy fun entertainment and value deep analysis. Rather than divide up people based on demographic properties-age, race, or gender-a psychographic profile attempts to locate identifiable categories of people based on psychological characteristics like attitudes and values.Ī person who enjoys comfort and family and home is likely to respond to different products and marketing messages than a thrill seeker who values adrenaline and adventure. They define what kind of karaoke singer you are. In the language of marketing, these questions correspond to psychographic profiles. This song is going to really set me apart.This song is going to be so much fun for me to sing.There’s never been a more perfect karaoke song for you.īut why? It might be one of three reasons: You flip through the book, and you see it. You step into your favorite karaoke joint. ![]()
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